- #Tone groups on hammond b3 tonegenerator generator#
- #Tone groups on hammond b3 tonegenerator software#
These are the models currently and historically in most demand. Let us start by saying that most of the restoration work done at Keyboard Exchange International is done on Hammond B3 and Hammond C3 models. The reader is cautioned that high voltage is present within the electronic components of Hammond and Leslie equipment and electronic repairs and restoration should only be done by experienced, qualified technicians or those familiar with electronics in general. This information is provided for reference and general information purposes only. AMD Dual-Core 2.6 - 2GB RAM - 250GB HD.From the founder and staff of Keyboard Exchange International Korg Triton - B-4 II - Leslie 145 - Akoustik Piano - Electrik Piano - Pro-53 - Mforce MTron - Kore. Those that want the Hammond sound, well, want the Hammond sound. They have a slower attack but also, the tones are considerably different from drawbar. My experience is players that want the traditional pipe organ sound prefer models like the Rodgers or Allen or their many lookalikes. Seems to me those who buy B-4 are looking for an exact replica of the original B-3 sound and operation, which has been the goal of many companies for years leaving many failed attempts along the way.īTW.I have been servicing Hammond Organs along with most other brands for over thirty years.
#Tone groups on hammond b3 tonegenerator software#
But, I'm surprised that anyone would buy the B-4 software and then complain that there aren't any slow attack envelopes. I appreciate wanting more adjustments giving new and interesting sound generation. Just a different sound that could be used in any kind of music including church. I'm not sure what envelope controls would do in making a "Church preset" or "Gospel sound." Adjusting the envelopes of the drawbars won't make it any more of a Church sound than it already is.
#Tone groups on hammond b3 tonegenerator generator#
Still, the "Gold Standard" of the classic Hammond sound is the B-3 series which had no envelope control, key click noise, generator hum and cross modulation.perfectly captured with the N.I B-4 (II)
Many companies have offered alternatives to the standard drawbar system over the years. (I know I know, overdrive.:-( ) Seems like if you want something other than the original Hammond sound, then maybe you are looking for a completely different software or keyboard.Ĭlick to expand.I still don't get your question exactly.
They have a nice set of additional features like reverb, tone controls etc. got it right by staying with the traditional Hammond sound. Most recently, Hammond introduced a new B-3, with the old style audio keying so that it now has the fast aggressive attack of its predecessor, the original B-3 because that's what Hammond players wanted The aggressive attack is what also demands a fast computer with minimum latency.Īfter the original B-3, Hammond offered up several models that used digital keying, lacking that aggressive attack and making many players say they don't feel right when they play them. The Hammond with all its shortcomings and idiosyncrasies, was embraced by Jazz players and eventually many non-church uses because of one of its greatest shortcomings, its attack! The fast attack is what makes the Hammond work so well in a group setting. The Hammond organ didn't sound anything like a pipe or pump organ and was shunned by many organists. When Hammonds came on the market, organs were either pipe organs or pump organs. What I still miss is the functionality of drawbar attack/release/envelope like in a keyboard.Īnd many at the time thought Hammond missed the mark. RH12LM Why not adding church presets to the B4 II? The original idea before the Hammond B3 was creating a cheap church organ.
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